Visit msnbc.com for Breaking News, World News, and News about the Economy
Just WATCH it and pass it on to everybody
And this is absolutely devastating and well deserved
| The Daily Show With Jon Stewart | Mon - Thurs 11p / 10c | |||
| Glenn Beck's Operation | ||||
| ||||
Saving Rush Limbaughtomy sufferers One Mind at a Time.
Visit msnbc.com for Breaking News, World News, and News about the Economy
| The Daily Show With Jon Stewart | Mon - Thurs 11p / 10c | |||
| Glenn Beck's Operation | ||||
| www.thedailyshow.com | ||||
| ||||




Progress, far from consisting in change, depends on retentiveness. When change is absolute there remains no being to improve and no direction is set for possible improvement: and when experience is not retained, as among savages, infancy is perpetual. Those who cannot remember the past are condemned to repeat it.I find these thoughts to be agreeable, and it is in that agreement where I wish to engage debate about the film Frost/Nixon as a distillation of one view of the history for the purpose of compelling drama. Is that really such a problem?
* This famous statement has produced many paraphrases and variants:
Those who cannot learn from history are doomed to repeat it.
Those who do not remember their past are condemned to repeat their mistakes.
Those who do not read history are doomed to repeat it.
Those who fail to learn from the mistakes of their predecessors are destined to repeat them.
History is nothing but assisted and recorded memory. It might almost be said to be no science at all, if memory and faith in memory were not what science necessarily rest on. In order to sift evidence we must rely on some witness, and we must trust experience before we proceed to expand it. The line between what is known scientifically and what has to be assumed in order to support knowledge is impossible to draw. Memory itself is an internal rumour; and when to this hearsay within the mind we add the falsified echoes that reach us from others, we have but a shifting and unseizable basis to build upon. The picture we frame of the past changes continually and grows every day less similar to the original experience which it purports to describe. George Santayana
In a New York Times article published this past November, Morgan (Peter Morgan, the acclaimed British screenwriter (The Queen), who wrote the play) was unabashed about distorting facts. "Whose facts?" he told the Times reporter. Hearing different versions of the same events, he said, had taught him "what a complete farce history is."If Reston can have this perspective who are we to disagree with his applause? If he can view the play and film as being about guilt and innocence is that enough to make it useful in bringing others to view prosecution as an impediment to future wrongdoing instead of some dwelling on the past? If President Obama wants to look forward can he not look forward to a future where leaders know they will be prosecuted if they break the law?
I emphatically disagreed. No legitimate historian can accept history as a creation in which fact and fiction are equals. Years later participants in historical events may not agree on "a single, 'true' version of what happened," but it's the historian's responsibility to sort out who is telling the truth and who is covering up or merely forgetful.
But this was not my play. I was merely a resource; my role was narrow and peripheral. Frost/Nixon—both the play and the movie—transcends history. Perhaps it is not even history at all: in Hollywood, the prevailing view is that a "history lesson" is the kiss of commercial death. In reaching for an international audience, one that includes millions unversed in recent American history, Morgan and Ron Howard, the film's director, make the history virtually irrelevant.
In the end it is not about Nixon or Watergate at all. It's about human behavior, and it rises upon such transcendent themes as guilt and innocence, resistance and enlightenment, confession and redemption. These are themes that straight history can rarely crystallize. In the presence of the playwright's achievement, the historian—or a participant—can only stand in the wings and applaud.





Greed is the desire for material wealth or gain, ignoring the realm of the spiritual. It is also called Avarice or Covetousness.


Bill O'Reilly is a TERRORIST and FAUX NEWS is his weapon of mass deception. No words are required - his reputation is already made.
These deadly sinners have laid waste to America that once was and contributed in large measure to the misery we now endure. It's enough to make a moderate compassionate American long for Kevin Spacey as John Doe in SE7EN
The good news is that this evil has failed while HOPE and CHANGE prevailed
Can we stop them - YES WE CAN
Thanks for the memories, but you were all completely "Irrelevant" during the historic victory that Barack Obama achieved during 2008 Presidential election. All your smears failed to change the course of history.

"Irrelevant"

"Irrelevant"

"Irrelevant"

"Irrelevant"

"Irrelevant"

"Irrelevant"

"Irrelevant"

"Irrelevant"

"Irrelevant"

"Irrelevant"

"Irrelevant"

"Irrelevant"

"Irrelevant"

"Irrelevant"

"Irrelevant"

"Irrelevant"























































































